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Description
Friedrich Kunitzer
1907 Przedecz [Moosburg] - 1998 Kördorf
Still Life with Bootjack, Wooden Clogs, Old Shoes, Mousetrap, and Mouse
Signed …
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Friedrich Kunitzer
1907 Przedecz [Moosburg] - 1998 Kördorf
Still Life with Bootjack, Wooden Clogs, Old Shoes, Mousetrap, and Mouse
Signed in the center left, undated [circa 1975]
Oil on canvas, stretcher (renewed), framed
Size: 52 x 62 cm (without frame) / 69.5 x 79.5 cm (with frame)
Provenance: Collection of Kuno Kallnbach (December 14, 1931 – June 9, 2018), Tann/Rhön
[Kallnbach was a patron of Friedrich Kunitzer and acquired approximately 150 of his works. He exhibited Kunitzer's works at his hotel in Engelsbach (Friedrichsroda, Finsterbergen district) and also endeavored to show his works publicly beyond the hotel.] In addition, Kallnbach owned an extensive collection of works by expressive realist artists such as Josef Liesler, Georg Muche, Hermann Naumann, Hans Peters, and Curt Querner.
The painting is featured on the front cover of the book "Unterwegs – Am Rande unseres Jahrhunderts. Zwischen Wolga und Rhein" (1987, Berlin/Bonn: Westkreuz-Verlag) by Friedrich Kunitzer.
In 1990, this painting was part of Kunitzer's solo exhibition in Tann, Rhön (organized by the Brandkasse, Hessische Brandversicherungsanstalt). [The painting is not pictured in the catalog but is mentioned in the accompanying text by Rainer Zimmermann.]
____________________________
Friedrich Kunitzer
Painter, draftsman, illustrator, writer.
In 1918, the family fled to Lodz, where Kunitzer attended the German Gymnasium (high school).
In 1926, he began his studies at the Academy of Fine Arts in Krakow.
In 1929, he briefly studied at the Berlin Academy of Fine Arts and stayed in Worpswede.
In 1930, he studied in Paris at the Paris branch of the Krakow Academy (under Józef Pankiewicz).
In 1932, he performed compulsory military service in the Polish army in Volhynia.
In 1936, he received a scholarship to study at the Munich Academy, where he became a master student of Karl Caspar.
In 1937, he stayed at Karl Caspar's house in Brannenberg am Inn.
He then continued his studies in Munich (under Adolf Schinnerer).
In 1942, he served in the military and was taken prisoner.
In 1946, he obtained German citizenship and lived in Alsfeld.
In 1949, he moved to Wiesbaden, where he lived and worked until 1957.
In 1957, he married the Russian dancer Tamara Weiland and moved to\. Kördorf, where he built a log cabin and ran his own farm, including a fish farm.
1989 Second stay in Worpswede.
from 1996 onwards, living in a retirement home in Katzenelnbogen.
Memberships:
1947 Co-founder of the BBK Lauterbach (Professional Association of Visual Artists)
1954 Esslingen Artists' Guild
1970 Co-founder of the artists' association "Westerwald, Taunus, Lahn" (from 1971 its first chairman).
Awards / Honors:
1936 Academy Prize of the Academy of Fine Arts Munich
1987 Cultural Prize of the Landsmannschaft Weichsel-Warthe (Association of Germans from the Vistula-Warthe Region).
Solo Exhibitions (Selection):
1933 Exhibitions in Lodz, Bromberg, Katowice
1947 Exhibitions in Alsfeld and Lauterbach
1973 Parliamentary Society, Bonn
1990 Exhibition in Tann, Rhön
from around 1990 Permanent exhibition at the Hotel Engelsbach (Thuringia), which was established by the collector and patron. Kuno Kallnbach organized
1996 Exhibition for his 89th birthday at the Katzenelnbogen retirement home
2013 Exhibition together with works by Ludwig Dörfler, Ludwig-Doerfler-Gallery, Schillingsfürst
Collections:
Museum Wiesbaden
Gelsenkirchen Municipal Collections
Federal Ministry of the Interior
Joseph Hierling Collection (Tutzing) This piece has an attribution mark,
I am sure that it is completely authentic and take full responsibility for any authenticity
issues arising from misattribution
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- Dimensions
- 24.41ʺW × 1.97ʺD × 20.47ʺH
- Styles
- Modern
- Art Subjects
- Nude
- Period
- 1970s
- Country of Origin
- Germany
- Item Type
- Vintage, Antique or Pre-owned
- Condition
- Good Condition, Unknown, Some Imperfections
- Color
- Black
- Condition Notes
- Very Good — This vintage item has no defects, but it may show slight traces of use\. In the four … moreVery Good — This vintage item has no defects, but it may show slight traces of use\. In the four corners, the paint layer is slightly roughened (due to previous mounting) and has been subtly retouched, Partially slightly stained; minimal loss of the paint layer at the lower right edge less
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